Born in Buenos Aires in a family in which music was the highlight among the ordinary, she found her place in piano and singing. Theater came later, a captivating environment that, to this day, continues to help her self exploration. She was in choirs in her school times. In the beginning of her professional singing days, she was part of the vocal group Pirámide (1981/87), in which she performed a jazz-rock repertoire and played in pubs that, at the time, were all over the city. They were invited by Lerner to the concert "Todo a pulmón" at Estadio Obras. With her own group, Pulso Ciudadano (2008-18), she found her musical and poetic language. Her records "Pulso Ciudadano", "Matisses" and "Juglaría porteña" were released, and she performed in renowned stages and festivals both in her country and abroad (Spain, Finland, Germany and Uruguay). But it was Flores Negras, in 1996, that left a footprint for her as a singer by defining her switch to rioplatense music. For her fellow group mates, she is Ceciya (as well as several other nicknames that she prefers -jokingly- not to share). Since 2009, she's been a jury of the Gardel Awards.

Born in the city of choir singing, La Plata, she's been surrounded by singing voices since she was a child. Musically, she trained by singing alongside her family and in choirs up until adolescence. Music therapy, Psychomotricity and vocal coaching marked her professional path, articulating art, education and health, areas that she currently researches and transmits. Surrounded by great masters of literature, music and theater, she managed to capture her poetic and creative outlook in her own songs, by releasing her first record, "Constitución", in 2009. Her life journey made her settle in the Ciudad Autónoma de Buenos Aires, and, ever since, she's found herself in the urban rioplatense chords, rhythms and melodies. Alongside Oscar Laiguera, she founded Flores Negras in 1996, and, since then, she's walked along her group mates through the paths of this vocal quartet.

Born in Buenos Aires in 1966, she's a true Porteña and native to the sensitive neighbourhood of Flores, she started in music as soon as she started walking. In her youth, having started to study in the Conservatory and besides maestro N. Zafodd, she was led to one of the most essential experiences in her musical life: the National Youth Choir, in which she went down an extensive scenery of Argentina's geography, and where she also grasped the accuracy and excellence of the expression. Along with the choir "Cántico a Capella" -in charge of maestro Eduardo García Novelli- she was part of the film "La peste" directed by Luis Puenzo. She sang jazz; played four characters through Argentinian Sign Language in a version of "Dracula" for a deaf and hearing audience; played Devorah in "Compasión Devoradora, Trío Juglaresco Alternativo"; created, selected the repertoire and starred in "La Trastornada", written and directed by Ariel Gurevich at Teatro de La Comedia de La Plata, CC25 de Mayo, CC Ricardo Rojas, Fundación Sagai, etc. In 1996, she joined Flores Negras, where she's been catalogued from day one as "the grave one". We still don't fully know what they mean by this. Currently, she continues her training as an interpreter with maestro Diego Vila, and with Gaby Murúa as her vocal coach.

Born in New York, but has lived in Argentina since the age of 5. She's been singing since she has memory. From 1976 to 1982, she was part of the prestigious vocal group "Buenos Aires 8". She participated in the last CD edited by the octet, "La Última Palabra". In that period, she took her first formal singing lessons with Susana Naidich and Renata Parussel, among others. She recorded with over a hundred artists, among them M. Sosa, Los Fabulosos, Angela Irene, L. Fabio, M. Ross, A. Lerner, Chico Novarro, Los Linces, Los Moros, Cacho Castaña, S. Mihanovich. She performed backing vocals for Los Redondos, and recorded in their first CD, "Gulp". She was part of two big bands. She taught several popular-singing workshops in the country. She has three records as a solo artist: “Toma 1 (Amo el jazz)” (1998), “Laura” (2002), and “Moños!” (2011). She's been part of Flores Negras since December 2018. Currently, she has a few other projects: "Jazzil", with Julia Gorosito (her youngest daughter) and Rodolfo Gorosito in guitar and arrangements, as well as guest musicians; and "Esbrújulas", family folklore project. Since 2007 she's been a jury in the Gardel Awards.

Guitar player, composer, musical arranger, a "Porteño" by heart. At the age of 5, his dad taught him his first tango on guitar. After that came the rest of the music, but the seed was already planted. He was part of the following groups: Julián Plaza, Osvaldo Berlinghieri, José Colángelo, Orlando Trípodi, Emilio Balcarce, Walter Ríos, Ernesto Baffa, Atilio Stampone, Pascual Mamone, Omar Valente, Orquesta del Tango de Bs. As. (Dir. N. Marconi, R. Garello, J.C. Cuacci), Orquesta Nacional Juan de Dios Filiberto. He accompanied great people from the genre: Roberto Goyeneche, Rubén Juárez, María Graña, Roberto Rufino, Raúl Lavié, Virginia Luque, etc. He played guitar for the Quintet of the Piazzolla Foundation along Julio Bocca in Madrid on tour accross Italy. He was the musical director for the show “Tango Venus” (Japan). He authored and composed “Tango Varón”, a song that also named Sandra Luna's CD which was nominated to the International Grammy Awards in the “World Music” category. He edited the record “Tango Marginal” with works of his own, with guests like Julián Plaza, Osvaldo Berlinghieri, Quintino Cinalli, among others. He participated in several seasons of "Guitarras del Mundo" as a soloist. He was awarded the "Premio Fondo Nacional de las Artes" for his new CD: “Guitarra Tango”. He played in Moscow along the Russian State Symphony Orchestra in the Rostropovich Festival (2021). He plays guitar for the vocal quartet "Flores Negras, Cuatro Voces en Tango". He's a member of the exam board for new composers at SADAIC.